I just witnessed one of New Zealand’s finest musicians play a gig which couldn’t have been any lovelier.
Nadia Reid – “she’s NZ’s answer to Joni Mitchell” I read. I pondered. That’s a big call – could it be true? After last nights show at Meow I can confirm, she’s definitely on the right track!
Tonight we were taken on a journey of her life as she told stories through songs from her brand new album Preservation and her 2015 debut record Listen To Formation, Look for the Signs.
Reid, a folk musician from Port Chalmers, has wisdom in her music you don’t naturally expect from a 25-year-old. Whether you’re foot tapping to a gentle melody or closing your eyes to soak up a crooning ballad, the lyrics come through so clearly and are hauntingly relatable. I accept that the fact I’m the same gender and incredibly close in age to her might make that last line seem redundant, but I don’t say it without genuine consideration. I feel certain Reid’s music connects with a wide audience because she writes with sincerity and performs the songs with a rare vulnerability.
Tonight her candid and sometimes hilarious tales behind the tunes particularly took me. “Now can I sing you a song about going home to stay with my mum after a break up and sleeping in a single bed? Sleeping in a single bed really makes it hit home.” That was her introduction to a stunning rendition of Reach My Destination. She may have had us laughing, but she’d also got us thinking and reflecting, and as soon as she sang the first lines…
There is one main street in this town
There are two straight lines in my head
It goes on, it goes on forever
…I was mesmerised in a haze of magic metaphors.
Reid’s vocals are faultless. Numerous times tonight I likened her in my head to Laura Marling, not a note was missed, not a waiver was heard. The control she had over this instrument was showcased particularly well in her ode to Wellington, Hanson St Pt. 2 (A River) and her encore tribute to her mother, Some Are Lucky. In these songs she carefully moved to and from the microphone to get the perfect echo or the perfect fade of vocals. In doing so she created tender and intimate moments for the audience to savour.
But there’s more to her songs than her voice, Reid knows how to play a guitar. Her fingers glided across the strings picking with impressive ease. Acoustic tracks, performed with little or no backing, were played to precision with careful crescendos. Thicker songs, with her talented band backing her up, were still dominated by her carefully strummed melodies.
Tonight’s conclusion? Preservation is an album capable of competing against the best artists in the world, especially when brought to life in concert by this talented performer.
Nadia Reid – I can’t wait to see what else you’ve got.
(Sorry for lack of photos, phone through a tanty)